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Rca Vhs Video Camera

video camera


A video camera is a camera used for electronic motion picture acquisition, initially developed by the television industry but now common in other applications as well.


A camera that records onto digital or videotape.


A camera for recording images on videotape or for transmitting them to a monitor screen


The modern CCTV video camera is available in both monochrome (black and white) and color. Cameras can be set in fixed-positions or placed on 'pan-and-tilt' devices that allow the camera to be moved up, down, left and right.

rca


Radio Corporation of America


RCA concepts that distinguish it from other management accounting approaches include the following: # Germany’s GPK method of quantity-based operational modeling using fixed and proportional costs established at the resource level in a company (i.e.


RCA is a trademark owned by Thomson SA which is used on products made by that company as well as Audiovox, TCL Corporation and Sony Music Entertainment.


(in the UK) Royal College of Art


RCA Corporation, founded as Radio Corporation of America, was an electronics company in existence from 1919 to 1986. Currently, the RCA trademark is owned by the French conglomerate Technicolor SA through RCA Trademark Management S.A., a company owned by Technicolor.

vhs


Video Home System. A recording system used for tape format. Lately superceded in industry by SVHS.Varifocal Lens (A lens with the facility to manually select between various focal lengths).


Video home system, denoting the video system and tape used by domestic video recorders and some camcorders


The Video Home System (better known by its abbreviation VHS ) is a consumer-level video standard developed by Japanese company JVC and launched in 1976.


Vertical Helical Scan (or as JCV calls it, "Video Home System"). Widely used method of recording audio and video electrical signals onto magnetic tape.

VHS

A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart



Stills from Gladiator (Click for larger image)